Starting from the project Architecture of Trace and the register of movements in the landscape through rubble and lines, I have come across in this artistic research on the architectural layers present in the landscape.

URBAN DISPLACEMENT
record photography in studio
An exercise where I register the different layers of a ruin in a two-dimensional format, playing with a certain chromatism for each level of rubble to catch sight through the most inner parts of a place. Giving special importance to the use of pigments used in each case, the cobalt blue for utility marking has a special importance in this project.
This body of work captures a very subtle dynamic element of our social landscape, the trace, which through the rubble as an element of physical and temporal reference creates an image of the transitory situation of the landscape, a territory in constant change under the effects of our displacement, In this way it is testifying the specific dynamic characteristics present in each place.







URBAN DISPLACEMENT "BELL HORItZó" (2023),
pigment on raw canvas, 163x115cm.





URBAN DISPLACEMENT #16 (2023), spray on Fabriano paper 250gr, framed, 113x83cm
URBAN DISPLACEMENT #12 (2023), spray on Fabriano paper 250gr, framed, 113x83cm
URBAN DISPLACEMENT #6 (2023), spray on Fabriano paper 250gr, framed, 113x83cm



URBAN DISPLACEMENT #17 (2023), spray on Fabriano paper 250gr, framed, 113x83cm
URBAN DISPLACEMENT #3 (2023), spray on Fabriano paper 250gr, framed, 113x83cm
URBAN DISPLACEMENT #7 (2023), spray on Fabriano paper 250gr, framed, 113x83cm

URBAN DISPLACEMENT #13 (2023), spray on Fabriano paper 250gr, framed, 113x83cm
